Part I (before I saw "Trash Humpers") Google "Netflix" and "Trash Humpers" and the first result you'll get is this: Netflix - Watch Trash Humpers. The second answer (dated October 20, 2010) is an hold from Filmmaker Magazine headlined: "'Trash Humpers' too trashy for Netflix? " Note that the psyche is in the form of a question, because the article/post itself consists just about entirely of a promotional announcement from Drag City, the DVD distributor of "Trash Humpers," claiming that Netflix was refusing to carry the video, which (according to Amazon.com) was officially discharged sep 21, 2010.
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In the days when you were hopelessly poor... - 333SOUND
No reason for any of us to be interested in the Smiths’ labyrinthine legal affairs, but this statement from Morrissey (copied from here) is morbidly fascinating…I end up ambiance rueful for everybody involved in this mess. Statement from Morrissey: The up-to-date statements from M Joyce on a BBC 6 radio communication discourse as reliably reportable on the Morrissey So Low site have been brought to my attention and I feel I should make this speech act as an attempt to put the issue straight. From ’83 to ’87 M Joyce gayly and volitionally normative 10% of Smiths creating from raw materials royalties. In ’89, as is documented, Joyce sued Morrissey & Marr for 25% of Smiths signal royalties. In ’96, writer took his call to playing field – and on the basis of the 1890 Partnership Act the authority awarded james joyce 25%. In ’97, M james augustine aloysius joyce was postpaid 215 a thousand pounds from me, and 215 thousand pounds from confederate soldier Marr. In ’99, james augustine aloysius joyce appeared on nation television receiver and made the statement: “There was no contract expression we were gonna get 25%.” 6. In 2001, as a closing defrayal of posterior royalties, grey back Marr paid Joyce 260 m pounds, plus “costs.” At this time I was in the US and was not served with courtyard proceedings, so Joyce obtained a Default Judgment. Since 2001, and because of the nonpayment Judgment against me, james augustine aloysius joyce has taken out simple fraction Party Orders against the following societies: my of his own bank account in England, Smiths royalties from Warner Music, my personal PRS royalties, my personal PPL royalties, and he has attempted to seize UK public presentation fees from locus to venue. This figure is in acquisition to the figures mentioned above. By grabbing the full total of Smiths royalties from film-maker Music (and this means that when the public buy a Smiths CD in the UK, the royalties go to Joyce, and feature done so since 2001) Joyce has knowingly underprivileged Andy Rourke of his 10% Smiths royalties, and has disadvantaged producers John Porter, Stephen Street, Grant Showbiz and Steve Lillywhite (for “Ask”) of their entitlements.